I Kan't SpellGoodbye Smoking Tonight is the last night of official smoking in Baltimore. Although most bars are planning to carry through the weekend with smokeathons and ash tray give aways...up until post-Superbowl hangovers. I unfortunately will be in NYC and not be able to avail myself to the last moments of smoking joy. I'll miss you cigarettes. I'll miss you when I laugh and when I drink a Jameson on the rocks with a High Life back on a cold or warm afternoon. I'll miss you at poker tables. I'll miss you as something to do with my mouth because of my insane oral fixation. I'll miss the french inhale that I have mastered and the eye squint. I'll miss being a good smoker. I'll miss butting you out and oddly I'll miss the smell of you. I'll miss how you make other people feel awkward and how you really piss off the soccer moms of America. I'll miss the pseudo-esque American freedom that cigarettes scream...as if James Dean, Sinatra, and Bogart will now be looked at in a different light by the next generation. Sometimes is there anything sexier than someone lighting a cigarette? Is there anything more disgusting sometimes as well? Goodbye smoking in bars. Goodbye. If you would like to enjoy the last night of smoking with me - - - I will be out and about this evening. Feel free to smoke inside for the last time in Baltimore. Baltimore Singles "Duh.. Duh Duh!!" - - meant to sound like Roman Chariots racing down a hile... Anyway.. Baltimore Magazine today releases the most bullshit issue ever possible to be printed. And I'm sorry if you are in it and I know you... but seriously Jason Bungori was in the issue one year. Bungori... didn't have a job, didn't even graduate college yet, and was somehow in Baltimore's Top Singles! Anyway... I lov eyou Bung...but come on. For my Calvert Hall gents... you'll notice that Mr. Kafalas is in there this year... yeah... Kafalas... If you want a good laugh with your friends...grab this issue...head to a bar and read allowed from each profile as if you were exchanging poems from Lord Byron. PS It's not up online yet... but check back there from time to time. www.baltimoremagazine.net For your enjoyment.... First off the song alone... as everyone knows it... is just fucking hilarious and so good. Second... none of the instruments heard in the song are actually with them while they play it... making this by far - - - the greatest music video of all time. At some point this was overheard; "What about all the horns and drum set...?" "Oh don't worry about it... nobody will even notice..." Tapes n Tapes
without further delay....our new record will be coming out on april 8th and it's called "walk it off". we're super excited about it, and can't wait for y'all to hear it. here's the track listing: 1. Le Ruse 2. Time of Songs 3. Hang Them All 4. Headshock 5. Conquest 6. Say Back Something 7. Demon Apple 8. Blunt 9. George Michael 10. Anvil 11. Lines 12. The Dirty Dirty what else...oh yeah, we'll be playing at SXSW in march, and then we'll be going on a US tour starting in april. once we have dates for that tour, we'll be sure to let you know. Can't wait to see their tour schedule and get my hands on this album. Enjoy it. Also - SxSW this year anyone. Hopefully there is some sort of "conference" there this year. If you don't remember Tapes n Tapes - - Lick it bitches. Lick iT! Kimya Dawson in Baltimore First off Hi. It's a great morning. Secondly - for all my Fells people - Kimya Dawson will be doing a quick in-store appearance today at the Soundgarden. Yeah - fuck that noise - because there will be lines and it will just suck. She is playing a second show later tonight up around my way ...near - but not in - the Ottobar. If you want to go to that let me know... and we can mosey. But I repeat that I will not be at the Sound Garden to wait in line with everyone else who wants to hear the song from the Juno Soundtrack... what's going to suck for them is that she will not even play it... mwwhahahaha....her and Adam Green made a pact not to ever play the song unless they were together. So I'm betting she won't play it... The real show is uptown later tonight at 9 pm. Take it light. Try to fight. Rock tonight. For your right... to sleep. I don't know.... Wasting My Time And if I'm wasting my time Then nothing could be better Than hanging on the line And waiting for a honest word forever And if you're saying goodbye Please don't you think me bitter For recalling every rhyme From the book the page the line the word the letter Well the windows turning blue And the waters over flowing And I hope I'm not a fool For laughing at myself as you were going D Day Dangerously Delicious in Fed Hill is getting their own TV show on MOJO. Wow! I met Rodney a few years ago and let me tell you that guy makes almost anyone on a reality/Zane Lampry kind of show look normal. He's always bouncing around the room... just hopefully they won't show his "inspiration" for pie making. If you haven't been there. I don't know what to say... http://www.dangerouspies.com/ Also a thrown out word of love to big gay guy next door who runs Beach Bums. You sir - are the rockingest! Pet Peeve of the Day I am starting to absurdly loathe websites that assume I want them to play a fucking commercial while I'm on it. ESPN is the classic culprit of this insanely bullshit tactic. While youtube may have changed the way we view the web into a 2.0 visual model (actually it's like 1.1.) this does not make it unobjectionable to incorporate music and or commercials into your splash page. But either way websites that insist on throwing bullshit multimedia in my face with their intrusive advertisements and flashy moving screens are - at this point - fucking absurd. I even find it annoying when I'm on myspace or on a band's real website and they automatically assume that I want their fucking music playing. While this may be a good idea from their end for a marketing or advertising perspective - from my end - I find it highly presumptuous and downright awful. Rant over. The Exception to the Rule: A Plead for Kimya Dawson Most musicians are full of shit. Let's face facts when we seriously think about the mass quantities of musicians that exist. On my block alone are 3 bands that are signed to minor/major labels that tour with each other, and I swear to God not one of them has any idea what they are doing, why, or who they want to make an impression on. They just know that they don't want to work for a living and being in a band is a good excuse to smoke pot, take acid, stay up late, and hang out with like-minded people that do the same. So... when I see a small act get recognition into something larger I tend to take it with a grain of salt and a small wince considering their only allegiance to start that journey was to fulfill their own desire not to be responsible for anything...not even their own music to a large extent. But as in all walks of life, there is an exception to the rule. I have always been the guy that wanted you to love his band. I wanted you to know that there was something GREAT that he helped nurture, from the back room at Sonar or the Thursday night billing at the Ottobar or weekend middle set at the Talking Head. I wanted to bring you on right up until the moment that they made it to something larger. Then I became the guy that was first to be done with them. They didn't need my support anymore. I don't like to share my art. I don't like to bring other people in on what I love for fear that they will corrupt my so purely chosen appreciation with their sloppy interpretation of what I have honed into a fine tuned care. Basically I don't want someone else splattering their tasteless gravy over a meal I slaved over for an entire day...just because they LIKE gravy. With that said, the entire meaning for supporting any band is three fold when you think about it. The first thing about the band that you love is that YOU LOVE THEM. You love the music first and foremost. You love that they sing to some piece of you that no one else addresses. You relate to them and their words or sound with all that's in you. They get to touch pieces of you that no one can and for that you feel as if you have an intimate non-existent relationship with someone. Even though you really don't have a relationship...somehow you really do... The second is to say, "I was here first." I was here on a Tuesday at the Lo-fi social club. I was here at Fletcher's for Noise in the Basement. Or on a larger stage - I drove to Charlotte to see them when they were playing 9:30 club size venues. You want to say that you broke them...that you discovered them. This gives you some sort of ownership to go along with your non-existent intimate relationship. You have now built a bond with the band and at the end of the day you feel as though at any given time they should welcome you in to their homes and you should split a six-pack while watching Survivor Man on Discovery. The third and final leg for a band that you love is to say "I've been here the entire time." After they've finished with their popularity and that one single or one album has been extinguished to the Mix 106 relics to be played on the soccer mom drive to school...you can still proudly own the fact that you have purchased every cd after that first cd and you have cherished and worshiped them. You have rung the name of that band on every corner no matter who says that they now "suck". And let's be honest... anyone that says that ANY band sucks is a moron. Being full of shit is one thing but "sucking" is another. If you get up there and do your thing or put it out... you don't suck. You more than likely aren't talented, and you certainly have nothing new to say, and I wouldn't quit your day job... but if you do it...just like with putting out a book, an article, a position, your own business... if you put it out there then no one can say you "suck" because I can guarantee that those people that say that, have never tried what it is you are trying. So... on to Kimya Dawson and her new found success. With the movie Juno doing well in the box office, many people are inquiring "What are these songs?", "This is amazing". This is the Kimya Dawson that not only I, but also so many people have sung praises about for so long. I found her almost 7 years ago. The Strokes were playing their 3rd show ever. It was at the 9:30 club in DC. I was first...at the time... for the Strokes. I went and stood with the other huddled masses and saw what would be the start of a journey for a really great band. The Strokes were IT at that time. But lost somewhere in that club while people were still jockeying for position and buying enough beers to sustain the show, was a woman in a bunny suit singing about "poop in your pants". Kimya was the lead co-singer of the Moldy Peaches and to see her in person at that time was certainly a shock to my 21-year-old eyes. My jaw dropped, my eyebrows moved, and I looked around the crowd for someone else's reaction to let me know that it was ok to think this was AWESOME. I found very few people that felt that way. Most thought it was a gimmick. Some laughed. I stood in shock and awe at the biggest pair of nuts I had ever seen take a stage. I felt sorry for the other people that didn't "get it". I felt bad that they turned their ears off because of the freakish appearance of the band. If they had tuned in they would have heard sweet melodic lyrics, with overtones of peace, love, and confusion, more than likely all things that we want or try to understand. The Strokes came on 20 minutes later. They played. It was forgettable. Kimya Dawson however was not. For me she was the star of the evening. The next day all I talked about was she. Who was she? Where was she from? I had to know everything about this band and especially her. I traipsed to NY, Philly, Virginia to see them play one-off shows on days off from the Strokes boring tour. Then the Moldy Peaches broke up. Like a falling star they burned out and Kimya was thrown out on her own. Soundgarden didn't carry her records. She had no website. Rolling Stone didn't publicize her releases. She was in the wind in NY. She played the Knitting Factory ever so often and the Bowery and some place in Brooklyn with sticky floors. She was my ghost. In 2005 I went to NY for a trip. Kimya had slipped to my back pages and I no longer tried to follow her career. But... when in NY I like to find something that I can't see in Baltimore. I checked the Village for their concerts that night and low and behold I saw her name. It was as familiar as Mac and Cheese and it leapt off the page like a frog from a stove. I had to go. I had to see her. I had been listening to her mp3's from time to time and knew some of her solo material but didn't know about a bunny suit or the rest of her band or what her motif might be. I showed up at the Knitting Factory with my friend Blake. She gave out free hugs. She played. She yelled at me once. It was amazing. I was rekindled. I had found my ghost once more. By this time Kimya had a local following and even semi-national amongst young gay men and middle school girls. (Still don't know where I fit into that). But it's not like she worked at Toni's Deli in her spare time. She was successful but she seemed toiled in her limitations. The entire show she played a movie that she also directed, and she orchestrated singing lesson with children. She seemed to need to blossom and grow. That was the last time I saw her. In the next years leading up until now she moved to Seattle and had a baby (named Panda...yeah Panda) and married. She still played but only really for children and charitable events. Then the movie Juno came about. I don't know how they found her or why. But I know they made a great choice. People talk more about that soundtrack then they do about the movie. Her songs are being played on local radio stations and in malls. They appear on "Eclectic Monday Morning" cd's and every hipster and his brother wants a piece of her. NOW... this is where you would see me break ties. But I am not going to. She may be... *choke* the first musicians that I 100% know deserves this. She deserves it because I know she'll do it the right way...her way... the way she's always done it. While her success may not be monumental or she may not sell a million records, I can almost feel how happy she is to genuinely get her voice and message out to the world. I applaud Juno for taking a chance and - - for the first time in a long time - - I am going to applaud the listeners for making the right choice. Just realize listeners that now that you have her in your musical life... treat her with respect and reverence. Be there at the end and follow her through it all. I promise you that the love she'll turn out will be well worth your time. Roller Girls ...are moving from my home Skate park - SKATE LAND BITCHES!!! - - > To the armory downtown. Bring on Roller Derby... Joy Collision = best name ever. Saw No Country for Old Men this weekend - it was solid. Also I'll be in NY for Superbowl and happy birthday Lauren.... Have a great start to the week... Sand Killer I AM singing to you Soft as a man with a dead child speaks; Hard as a man in handcuffs, Held where he cannot move: Under the sun Are sixteen million men, Chosen for shining teeth, Sharp eyes, hard legs, And a running of young warm blood in their wrists. Powerful Prayers And the women all were beautiful The men were taut and clear The chalice swung with the moon I looked narrow and straight I had no fear I had no hate It was I and it was the water A baptism of killers It was the rock that melted So hot to touch The rock ran out I did not cry I did not shout Don't you see me down here praying? There was me The beautiful things and the devil So wrong to try I did not run I did not fly And heaven opened to me in sun It came in through finger Locked and waving A child's understanding With the fear of man I did not cower I had to stand And with feet planted I punch at wind It does not laugh It moves on to hair Soft and brown Along a head so pure It has no poison It needs no cure Sin and life when will you untangle With drink and dry With time and death There lay only flashes Of what mother say It wants to hold It never stays So to God and science I stretched To the heart of Venus and To the chariot of Mars I threw my word It was never recanted I was never heard Weekends and stuff... Weakapug and Black Eyed Susan (same fucking thing) plays tom. at the 8x10. While the 'pug or the 'wiki as I like to call them aren't really my flavor ...it's nice to get together with friends and be "in the middle" or "kah need". So that's that. On Saturday things get more interesting as the Thrushes play the Metro Gallery. The Thrushes are the torch carriers for the local scene as far as I've noticed. And down the Street the Red Vines and Among Wolves play (won't be attending that ... but most people dig alt-country and to be quite honest... they aren't that bad for Baltimore.) While up the street at the Ottobar you have Death Teeth (Yay Richie and your Death Metal love! Douche). So plenty of things... Also the Feb-March-April season are perenially the best months for small label artists to hit the 500 - 2k clubs such as Ottobar, Black Cat, 9:30, and all clubs up north and in between. It's a shame Sonar has dropped the ball so hard on promoting...else they'd be able to get someone other than smelly Sublime cover bands and every DJ with a pulse. And somehow and some way Rams Head Live placed 4th in the country for capacity sell out venues. So - well done indie promoters and way to let IMP know that they aren't the only game in town. Now you just need to unify. Anyway - the late winter early spring months show you the larger acts stretching their legs on new material that they'll need to iron out before the summer festivals. So keep your eyes open - for example - today - Wilco released their late Winter schedule and will be at the 9:30 in late February. Also DD and Ponytail will be playing a block party at 19th and Charles - just after North Ave - it's 3 houses all tied together by pretty ribbons and bows. Come quiet or don't come at all... Anyways - - keeps it real. Juno: Kimya Dawson Juno itself is a decent movie but if you notice in the opening credits if you see it...Kimya Dawson does all the music for it - including one of her more popular songs "Anyone else but you..." being the title track. It really really made me happy to see her get the kind of recognition she deserves... This is her and Adam Green playing it at the premier - - -> This is the cd version - it doesn't get any better than this IMO - for just happy poor NY folk. Soundtrack includes - - 1. All I Want Is You Barry Louis Polisar 2. My Rollercoaster (Juno Film Version) Kimya Dawson 3. A Well Respected Man The Kinks 4. Dearest Buddy Holly 5. Up The Spout Mateo Messina 6. Tire Swing Kimya Dawson 7. Piazza, New York Catcher Belle & Sebastian 8. Loose Lips Kimya Dawson 9. Superstar Sonic Youth 10. Sleep (Instrumental) Kimya Dawson 11. Expectations (Remastered Version) Belle & Sebastian 12. All The Young Dudes Mott The Hoople 13. So Nice So Smart Kimya Dawson 14. Sea Of Love (Remastered Version) Cat Power 15. Tree Hugger Kimya Dawson & Antsy Pants 16. I'm Stickng With You The Velvet Underground 17. Anyone Else But You Moldy Peaches 18. Vampire Antsy Pants 19. Anyone Else But You Michael Cera & Ellen Page And this song always gets me - Belle and Sebastian's Piazza New York Catcher - - City Paper: Pinup Girls If you haven't seen the City Paper this week you'll notice that the cover story involves the resurging Pin-Up industry. Both of the women featured work for the company I work for... as a matter of fact there are about 15 or so of the "action girls" or "mod squad" as I like to call them cruising around. They are so much fun to work with and make this place even more special than it already is... Cheers to them.
- This is now - and I guess has always been very popular down the Hamden to Mt Vernon corridor. Bring on the piss! Top 10 albums of 2007 Not very extensive - but... here none-the-less. 1. The Shepherd's Dog by Iron & Wine 2. 23 by Blonde Redhead 3. Boxer by The National 4. Neon Bible by The Arcade Fire 5. From Here We Go Sublime by The Field 6. Because of the Times by Kings of Leon 7. Easy Tiger by Ryan Adams 8. Smokey Rolls Down Thunder Canyon by Devendra Banhart 9. Back to Black by Amy Winehouse 10. Liars by the Liars Honorable Mentions: Strawberry Jam by Animal Collective Under the Blacklight by Rilo Kiley Purple Purple parallelogram, I got in Amsterdam It made me dream the dreams I didn't understand Thought I liked to say that I'm so proud of you And do you wanna dance with me? The best is first when the girl is here I've got it all backwards for the town to play Funny that I'd like to say that I'm so proud of you Do you wanna dance with me? Gonna make it easy Sitting on a jacket The world is gonna have it And Still you wanna dance with me? I've got a papercut it's from a wonderland I've got it all backwards for the clown to stand Funny I'd like to say that I'm so proud of you Do you wanna dance with me? I ask you "Do you wanna dance with me?" And still you stand With your paper cup And the jacket goes on one arm The collar gets popped The mouth air goes out and no one wants to dance with me. I'm gonna make it easy. And say that the grass is waiting the cold's been baiting And the porch and yard are gonna dance with me. Purple parallelogram I got in Amsterdam It made me dream a dream I didn't understand Now I completely know that I'm not proud of you You don't get to dance with me. | Favorites List Pandora Song List Amazon Wish List Reading Revolutionary Wealth - Tofflers Brian Jones Things Making Me Smile The City Newness Listening - [out of 5] Benjy Ferree - 4.8 The Thermals 3.1 David Gray 3.8 Quote(S) Like the guy with the beard? YES - like the guy with the beers. What? 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